 
                                    
                            
                            David Yarrow
Standard (framed): 59x52
Ed of 12
my camera in hand, not a remote control unit. I was very conscious of
the distance between us – it would have been both illegal and foolish
for me to move any closer, but there was always the chance that the
bison would take this issue out of my hands. I was knee deep in snow and
I would not have fancied my chances of scrambling backwards.
The
 temperature that early morning was just under -15 degrees Celsius – not
 super cold, but cold enough for snow to have settled on the bison’s 
primal face. This was very much my preconceived goal when I was 
researching Yellowstone. He looks like a mythological creature from a 
primal age, not a bison in 2017.
I
 prefer not to use the magnification and distance compression of 
telephoto lenses, but sometimes – like in this “head on” situation – 
they serve a purpose as there is simply no safe or practical 
alternative. The key issue for me is the validity of the chosen focal 
point – as much of what is behind and much of what is in front of that 
point will quickly lose detail – no matter the lens apeture. To lose it 
behind is okay , but in front can create too big a tension point for the
 image to work. I remember worrying about my focus at the time and 
straight after – as these encounters happen all too quickly. But many 
hours later, back in the warmth of my modest motel room, I looked at the
 detail in the nose and around the eyes and I knew that I had a shot. 
What a total beast of an animal.
Focus
 is everything in photography – no more so than at 10,000 feet up, deep 
in snow, with a bison in your face at -15 degrees celsius. This was not a
 normal morning.